The Wayward Writer: Summon Your Power to Take Back Your Story, Liberate Yourself from Capitalism, and Publish Like a Superstar by Ariel Gore

Create your liberated literary utopia

When your dream and creative passion is to write, how do you succeed without selling out or selling yourself short? Ariel Gore has spent her life trying to solve this puzzle, writing and organizing her way towards a creative utopian vision, where storytelling is a form of resistance and writing is an outsider art. In The Wayward Writer, the follow-up to her national bestseller How to Become a Famous Writer Before You’re Dead, Gore offers a lyrical call to literary revolution paired with practical exercises. Through her own experiences and interviews with other authors, publishers, and agents, she shows you how to chart your own creative education, vanquish shame and imposter syndrome, cast off oppression, cast a spell on your readers, step into your unique powers, and build your own literary community where respect and honesty reign—and where you can be a writer and survive. Gore presents an alternative narrative structure to the patriarchal hero’s journey, with a focus on tapping into myths and hidden places. She urges us to not be precious about where or when we write, or to apologize for who and what we are, or to stop short of telling the truth about our lives. The result is an impossible to ignore rallying cry for writing dangerously to create a liberated literary utopia—and a helpful guide through the thorny landscape of publishing your work. 

https://microcosmpublishing.com/catalog/books/13355

Magical Writing Zines are Here

Limited Edition.

With magical writing assignments & new work by Lori Dewender, Nicole Phoenix, Rebecca Fish Ewan, Steph Patzlaff, Sue Moshofsky, Susie Bright, Jenny Forrester, Alley Hector, Amanda L. Andrei, Amanda Gilby, Carolee Gilligan Wheeler, Debi Knight Kennedy, Finn Jogen, Jenna Powers Fox, JJ Johnson, Laraine Herring, and Leah Harris.

SOLD OUT

Ariel Gore’s book & zine truck

Now you can buy all the things I made this year in one place. My house boys will be shipping every day starting November 30th so you’ll get things in time for whatever holiday makes you happy & not stressed.

Brand new! The Art Life Coloring Book by Ariel Gore

I made this 28-page coloring book while I was on book tour for We Were Witches. Drawing the images made me feel less anxious about talking to people I didn’t know. Coloring the images in has the same effect, so I think you’ll like it.

$7 includes U.S. Shipping




 

 

 

New! We Were Witches: A Novel by Ariel Gore from The Feminist Press

Michelle Tea calls We Were Witches “A new feminist classic penned by one of the culture’s strongest authors at her most experimental and personal.”

$18 includes U.S. Shipping.




 

New! Notes & Spells Scout Book

Keep your We Were Witches Notes & Spells book in your pocket at all times! It’s mostly blank, and includes just enough magical instruction & inspiration to keep you going.

$5 includes U.S. shipping




 

 

New! Hybridity: For Beachcombers Who are Tired of Performing Normal, a magical zine by Ariel Gore with bonus “Surrealism for Beginners” writing assignments in the back.

$4 includes U.S. shipping.


 

 

 

The End of Eve: A Memoir by Ariel Gore from Hawthorne Books

Winner of a New Mexico-Arizona Book Award, winner of a Rainbow Award, named one of the best memoirs of the year by Library Journal . . . Tom Spanbauer says, “The way Ariel puts human emotion on the page is an act of poetry damn close to sublime.”

$16 includes U.S. shipping.




 

Canada! We love you. But we need a little postage support. Please add a $2 Canadian postage booster for all orders shipping to Canada.


 

(If you need overseas shipping, please email arielfiona at gmail dot com.)

 

We Were Witches

“You know that feeling when you crack open a brand new book and just by reading the first paragraph you can tell you’re about to go on a transformative journey? The kind of book that grabs you by the hand and says, hold on, we’ve got important work to do? A story that, at the risk of sounding very cliche because the word “witches” is, after all, in the title — leaves you spellbound? We Were Witches by Ariel Gore is that book. Released in September by Feminist Press, it is everything you didn’t know you were allowed to want in a narrative.”

—Autostraddle

Now you can get signed copies of Ariel Gore’s new novel, We Were Witches, direct from arielgore.com.

$18 includes postage & your own spell book.

“Forget Freytag’s Pyramid (of Predictable Male Prose)—behold Gore’s Upside Down Triangle (of Fierce Feminist Narrative)! We Were Witches is its own genre, in its own canon.”

—”Kate Schatz, author of Rad American Women A-Z

Ariel Gore’s We Were Witches is one woman’s body refusing to become property, refusing to be overwritten by law or traditions, one woman’s body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song.

—Lidia Yuknavitch

Ariel Gore’s We Were Witches is both magical and punk rock—the way it takes traditional values and traditional story structure to task, the way Gore’s protagonist, Ariel, uses witchy intelligence to resist a system totally against her.

—Michelle Cruz Gonzales

We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore’s writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge.”

—Susie Bright

An incisive and engaging work of literary genius that never loses heart. Gore speaks with the brazen and tender voice of a neglected, hidden generation about hidden and vulnerable truths.

—Lasara Firefox Allen

We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one of the culture’s strongest authors at her most experimental and personal.

—Michelle Tea

Ask for We Were Witches wherever you buy books. Here are links to Bookshop.org and Amazon.

The End of Eve

endofevecover

“The End of Eve had just about everything I ever want in a memoir: WTF plot events, almost-over-the-top characters that you never doubt are real, gorgeous and breathtaking moments of introspection, and wry humor.”

—Book Riot

 

“How Ariel puts human tenderness on the page is an act of poetry damn close to sublime.”

—Tom Spanbauer

“An experienced journalist and writer across genre, Gore’s prose is both eloquent and spare. Ultimately, The End of Eve is Gore’s story—an account of the imaginative strategies she employs to survive and create—in which she demonstrates how, much of the time, for her anyway, surviving and creating are one and the same.”

—Los Angeles Review of Books

 

You can buy all of Ariel Gore’s books from your local independent bookseller or from Powell’s.

Or listen to the audio version–read by the author.

 

The End of Eve wins New Mexico – Arizona Book Award

Ariel Gore’s darkly comic memoir, The End of Eve, just won a 2014 New Mexico – Arizona book award. You can get a signed copy right here. $16.95. FREE SHIPPING.

“It turns out that both life and art are balancing acts. In one as in the other, Gore seems to be saying that even as we acknowledge past traumas, we cannot let those wounds dictate our actions in the present. The End of Eve is a product of bravery, love, and hard-won wisdom. In sharing it, Ariel Gore invites her reader to bask in the light she has found.” —Los Angeles Review of Books





Ten Things I Love About Print

Or Why I’m Re-Launching a Paper Magazine When Everyone’s Crying that Print is Dead
Ariel Gore

I like the internet as much as the next blogger. I don’t think online media is making us any dumber than we already are. But the internet will never replace print media for me. I love the look of print. I love the feel of print. I love the smell of print. And I’m irritated by exaggerated reports about the death of print.

Brainless print publications that were only in business to chase advertising dollars might be dying a long-overdue death, but if I have anything to say about it, print itself lives.

I started my first print zine, Hip Mama, when I was in college. I passed it along a few years ago, but when I heard that the new publishers were on the brink of going completely digital, I dropped my other projects and decided to reclaim my magazine.

Because print’s not dead to me. None of us needs more screen time. We need tactile, homemade media we can hold in our hands–the kind of media that allows for rumination and slow-sprouting inspiration, not just quick comments and e-fights.

No, print’s not dead. To me, print will always mean life. Yep, I love print. Let me count the ways.

1.
Print Gets Your Hands Dirty.
I’ve never had a traditional 9 to 5 job, but I’ve been working all of my life. I earned my first paychecks by folding and delivering the San Francisco Chronicle in the dark hours of morning. I landed the job when I was eight years old. And for the next six years, my hands were black with the ink of news and self-reliance.

2.
Print Lets Me Unplug My Ego.
When I’m reading a great story online, I sometimes “share” it before I’ve even gotten to the end. My “friends”–many of whom I’ve never met–“like” it while I’m still reading. By the time I get to the last line I’ve already got a couple of comments complimenting me on my fine taste in stories. This makes me feel important and well-connected. Now, what was that great story about?

3.
Print is Intimate.
All media is communication. But reading black marks on a page is the most intimate form of communication that exists. Social media never really mitigates my existential loneliness. But somehow even alone in a candle-lit cave in Tibet, if I’m reading the words of a dead feminist poet, there can be no isolation.

4.
Print Remembers Where it Came From.
I have a lot of my mother’s books. I have some of my grandmother’s books. I even have a few of my great-grandmother’s books. I love it when I stumble on a particular passage that one of them has underlined. Sometime I recognize their shaky handwritten notes in the margins. My mother tended to underline in black. My grandmother preferred red. My great-grandmother used a pencil, but I’ll never erase her words.

5.
Print Gets Warped and Dog-Eared.
A few years back, I edited and published an anthology called Portland Queer. I had it printed and bound old-school by at the local anarchist Eberhardt Press in Portland. It wouldn’t have cost me anything more to produce a digital edition, but I didn’t bother. The first printing of Portland Queer sold out within a few weeks. The collection won a LAMBDA Literary Award. But nothing filled my heart with quite the same pride as seeing a bathtub-warped and dog-eared copy of the book in someone’s bathroom in faraway Santa Fe. Yes, you can read print while you soak in the tub. (Trust me, it’s a very poor idea to take your iPhone into the bathtub).

6.
Print is Sexy.
When my girlfriend’s in bed with her reading glasses on and a book in her hands– that’s sexy. When she’s sitting there squinting at her iPhone, well–not so much–then I just think she’s having an emotional affair on Facebook.

7.
Print Survives the Apocalypse.

I was raised among hippies who perpetually insisted that the shit was about to hit the fan, man, the grid was going down, and civilization would soon collapse into unplugged utopian chaos. My apocalypse survival pack includes a Haruki Murakami book, a copy of the latest Lucky Peach magazine, and a mini letterpress set for emergency zine-making. When the world as we know it ends and we’re all refugees trudging toward an unknown future, I won’t be carrying my laptop.

8.
Print Keeps Our Secrets.
If I read something online, my reading is tracked and tallied by the Big Brother internet brain that targets my tastes and sends ads chasing me from Google to Youtube and back again. But unless I order it from Amazon, hardly anyone can guess what I’m reading in print. And stealthy education, it turns out, is what books were invented for. Up until the third or fourth century A.D., Europeans had to unroll their books to read them. Scrolls evolved into folded pages. Eventually folded pages became gathered pages–what we now call books. Why books instead of scrolls? Early rebel Christians found them smaller and therefore more convenient when it came to keeping spiritual texts hidden from Roman authorities. Plans for the revolution will not go viral.

9.
Print Lives. And Keeps on Living.

This isn’t the first time print media has been declared dead. Back in the ’60s, people without imagination were sure television spelled the end of print. My old journalism professor, Clay Felker, responded by reinventing the American magazine–not with short, ultra-visual media that imitated TV, but with long-narrative and novelistic-style writing that added layers of emotional depth to traditional reporting. He had no problem with the internet. He appreciated online media’s ability to focus on psychographic communities over demographic communities. But new media didn’t mean the death of the old–to each its own narrative style.

10.
Print Doesn’t Get Jealous.

Now, before anyone accuses me of being a purist or a luddite, let me say again that I don’t hate the internet. Lucky for me, print doesn’t care if I watch TV or waste a night reading the Buzzfeed. In fact, I’m relying on new-fangled online crowdfunding at Kickstarter to make sure print lives. Click to it: http://kck.st/13xMuVp See? Print didn’t mind that at all.